Portrait and Photography

Do you just snap pictures of friends without a thought to how it my turn out? Portrait photography takes you a step up from people photography. It gives you elements to notice such as the angle you take the photograph, the lighting you will use, and the expression of emotion on a persons face. While you may be an amateur photographer deciding to take Christmas photos without the expense you will need to have some basic knowledge of techniques used by the professionals.

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First when taking a photograph of a person you need to study their face. The face is important to the angle you will shoot from. Though it is a cliché, it is true some people have a better side. This could be in relation to scarring or acne breakouts or even simpler. For instance my left eye is larger than my right by just a bit, and looking head on into the camera will cause a horrible portrait, however if the photographer comes from the right side and angles up a little the light and shadows will help even out the features while keeping the distinctions that make me who I am.


Portrait photography is about capturing the essence of the subject, the personality. The little nuances of a face add character to the portrait. You will want to loosen up your subjects. If you are becoming a professional portrait photographer you will want to learn about your subject as you are taking pictures or perhaps meet them before the session. If they are just your family then you should know what would get their personality captured on film.


Lighting is the next important step to portrait photography. A lot of photographers prefer natural light to artificial. Your subject will in part decide this for you. Remember you will use the light you have. Natural light will often require setting the aperture to compensate for the cameras lack of definition. In other words you need to create the contrast with the light and shadows for the effect you want. Often artificial light is harsh and not directed properly unless in a studio. Again you will need to use the manual settings on your camera to create the perfect portrait.


The background is also important when discussing light. In a studio a photographer will pick a background that will not wash your features out or your clothing. They want to have a distinction or contrast between you and the background. This is also important of home portrait photography. You will want a background that gives color to your subject rather than taking it away. Finding a nice spot with a tree to sit on and mountains in the background can be a great portrait, but you will want to make sure the background is not too busy to distract from the subject. Make the subject seem apart of the picture rather than outside of it.


The type of camera and film you use will also determine the quality of the photography. Once you combine techniques such as lighting, angles, and understanding your subject you will be able to create a near to professional if not professional portrait for your friends and family no matter the occasion. Just snapping a picture is possible, but it would be great to have a better portrait?

Looking For The Perfect Photographer For A Wedding

Wedding photography is perhaps the most important field because these are the special moments in life we want to capture. Portraits are important and often play a major roll in wedding photography, but there are more to the wedding and finding the perfect photographer. Below are several tips to finding the right photographer for you.

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Equipment is one of the most important aspects. There are new photographers who will start out not being able to afford a lot of camera equipment, lights, tripods and so on. This doesn’t make them a bad photographer, but it can mean they will miss important wedding moments when they are reloading the film on one camera. In today’s world a wedding photographer should have at least one digital camera at the professional grade and two film cameras. A successful photographer will have enough cameras to put appropriate lenses on and be able to switch memory cards in the digital camera with ease. They should also have a video camera run by another person to capture the entire wedding.


Experience will determine the cost of the photographer. Most photographers who have been on the circuit longer will charge between $3000 and $10,000 for wedding photographs. It all depends on the type of package you will want and how many assistants they will need to cover the entire affair. Other photographers typically charge between $300- $3000 depending upon the package and their experience. A well-known wedding photographer is going to cost more, just for the name. These packages often denote their experience as well as the equipment they can use. A digital camera does not cost film, but purchasing one can be expensive so most new photographers may charge a little more to replace the cost of the equipment.


Price of a wedding photographer should only be a moderate issue. The top important aspect of a professional wedding photographer lies in their photography skills. They will instantly walk into the places your wedding and reception will take place and have ideas of the placement of equipment and lighting. They will also be able to show you a portfolio of past weddings. Wedding photography is about the moments that pass between your family and yourselves. The moment where you are looking at your betrothed with love written on your face when you think no one else is looking will make the best photographs. A wedding photographer needs to see these moments and capture them as well as obtain the portraits.


Wedding photography is often seen around the home with the portraits. The portraits of the bride holding her flowers, the wedding party posing, and the groom and bride together. The traditional wedding photography will include the hands with the shinning wedding bands placed on a pillow or wrapped around the bride’s waist. The arrangement of the wedding couple is as important as the photograph. The wedding photographer should be able to pose you while capturing the light and background.


Photography is an intricate profession and when you have an important day such as a wedding you will want the best. You may have ideas of the photographs you want and the wedding photograph will be glad to help bring those ideas to fruition. Photography is about lighting, catching those unguarded moments, and creating memories that will last forever.

How to Start Your Own Business of Photography

When you are a kid and thinking about the many ways you can make a living when you grow up, what is the advice your elders always gave you? It was, “Do what you love to do and you will always be happy.” And that has to be true because if you can spend your work week doing what you love the most, it really won’t be work as much as it will be play that people pay you to do.

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So if your passion is photography, it makes sense to start your own photography business. But how to go about it? You see so many small photography shops that seem to spring up from nowhere. What is the best way for you to go about starting your own business like this?


The first thing to think about when starting a photography business is how to do it in a legitimate way. You want a business that will last a lifetime so you want to start it out right. So don’t fall for the “get rich quick” internet schemes or books that claim they will spill the insider secrets of other successful photography business. There are no insider secrets to this business other than what you need to know to run any business. To succeed you have to…


* Pay your dues


* Get your education.


* Learn from the pros.


* Know your stuff.


* Network


* Value your customers.


You can accomplish the first five of these objectives by going to school and working part or full time in somebody else’s photography shop. You may despair at the idea of more school. But your photography business will be about more than just cameras, photo shoots and dark rooms. You have accounting principles to comprehend and execute, taxes to be paid, a facility to rent, employees to pay, insurance to worry about, contracts to sign and all of that other “stuff” that goes with running a business. So start early and get some basic business classes under your belt such as accounting and economics. It will benefit you dozens of ways as you march toward success.


Many trades have an apprentice system where you tutor under a master of the craft. But it might be a good thing for you to take this matter into your own hands. Plan to work for a photography shop long enough to learn the ins and outs of running a small business and of running a photography business. This gives you the chance to build your knowledge and exposure to equipment, learn technique and how to work with your subjects.


In fact, it might be a good idea to deliberately apprentice at a number of different types of photography studios before launching out on your own. So you can learn the ins and outs of wedding photography, baby photography, fashion photography and others from specialists all before you spend a dime of your own money to start your own enterprise. In this way, you build skills, you build knowledge, you build experience and you can watch and take notes of the great things others do and the mistakes to avoid.


Your employers will be thrilled to share their real world knowledge with you if you are open to them that you want to learn from the masters how to do this with the goal of becoming their competition in the future. Above all, you can build a client base from the many customers you work with before you start your own business. Buy taking care of someone else’s customers, they can become your customers when you hang out your shingle. And that is good business.

How To Choose a school of photography

There are many places you can learn photography, but what is the right place for you? Of course there are courses and online schools, but they don't give you the practical information you need. You need eye of the teacher and other students to become a better photographer. Online classes have their usefulness, for example giving basic to the study of information. It can be difficult to choose the right school. Some require recommendations while others are outside College.

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Because of the practical shortcut secrets you're about to find out, you'll quickly be able to skip the "amateur photographer" stage that usually takes years to get past... and you'll be a much better photographer from the very next time you take a shot



The information that you want to take a photography class will be part of the decision for you. For example, in a university setting to non-specialized in photography will provide the initial levels, but can not offer you an internship with a professional photographer in your area. If you are looking for photography as a hobby these base classes levels often will give you the information needed to produce images that can be proud.
They will allow schools with others for more information on a specific topic. More specialized schools will allow you to work with a professional to know the details of their profession but also to expand their knowledge. This helps you learn faster and learn more about the techniques used in photography with hands on experience.


The best way to choose a school of photography is to decide what you want your photography. Once you have decided that you can pass to find out how to apply. Some schools of photography are part of a study and allowing that anyone can enroll in a class. Other schools require you to attend a college or University first to basic photography and apprentice before going to the special school.
Search online will take you to the schools available in their area and across the country. You will be able to find the application, but also descriptions of all classes offered. The site also lists requirements for the school and what courses you should take to become a photographer. Although it is best to experience receiving a classroom, online course teach you need to know.
Some classes that you must be in the lighting, composition, and other basic elements. Depending on your field, you need to branch out into the study of ways to capture the subject. As portrait photography, you need to understand angles, light, balances and cause reactions that you need for the object. Digital photography is the new way of taking pictures and there are a few different techniques to draw older manual cameras.

Photography schools can help you become more adapt to photography. You decide that you need a little help to intensify the point and shoot type for a more complicated camera or you may decide that a career there is for you. There are several types of schools for you and online sources will help you find it. Online photography course can be useful to learn the techniques, but still others are to help him find his eye for art. If you have worked with manual in the last occasions are that you'll want to take a course of digital photography when changing.

Touch of a type more school, you have to immerse yourself in the underwater photography. Most of the universities and other schools of Photography Studio partners are not specialized in underwater photography. It is often best to find a school of diving for a basic course. You can find more and find a school of underwater photography. Underwater photography has always been an interesting and unique hobby or profession. See the results of your work, it's like no other thing, one can imagine. When we look at color and the impressive, you understand underwater photography more.

The Underwater World Captured With Photography

Underwater photography is growing every year, those who go diving wish to bring the diving world visible to those who do not dive. We have always been fascinated with the oceans and bays of the world as an unknown world. Bringing vacation pictures home to your friends or selling them as professionals has been a time honored tradition and now we can bring the underwater world home through the use of digital photography.

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There are many types of underwater cameras. You have the highly expensive professional cameras and the one time slightly effective versions. Knowing which camera will work for you is very important. Part of finding the right camera may lie with in the housing you wish to purchase. Underwater photography requires you to protect your camera from the harmful affects of water so you will have to purchase housing with seals to eliminate the water. The housing you find may fit the camera you have. In fact, most companies will sell the housing for the cameras you have. If you find you, need a better camera for the underwater world you will need to look at packages. These packages will include the housing.




Let us look at the 35mm cameras. Most of these cameras are just point and shoot. If they were meant for underwater chances are they have at least a mild filter to correct for the lack of color underwater. These cameras will not filter out the particles you find floating along in the water on a poor visible day. Usually they are limited to less than 100 feet. I would not use this type for anything below 80 feet. You would not want to loose pictures because the housing failed under pressure. While this is not common, it is a concern for most photographers.




The more professional cameras are larger with a huge lens to let light in as well as have filters to help bring clarity to any photograph. Typically, these cameras require you to have a deep-set hobby in underwater photography, as the expense is high. Digital cameras are the best way to take underwater photographs because you can make sure you have the desired affects before leaving the seen. Of course, most underwater life will not hang around for a second shot, but coral reefs and the animals that inhabit them may remain.




Most underwater cameras will also have a flash. It is best to take an underwater photography course before delving to far in your hobby. Sometimes the flash will help you with the photographs, but other times it will wash the subject out and ruin the print. You can also use underwater cameras when you are snorkeling. Some flashes are built in to the camera while others are external. The external flashes can be a stick with a little light bulb on top.




When storing your underwater camera and flash you usually want to store them without the batteries as the batteries can die quickly. This is mostly for the cameras that use double AA batteries. Underwater photography is a great world to take home with you especially if you are on a dive vacation. Underwater photography requires a few more skills than regular photography due to the lighting conditions, but once you understand them you will be bring home great pictures every time.

The Use Of Lenses In Photography

Just having a camera is not going to get you the best pictures. Most of us who take photos are amateurs in the art world, but with the right equipment our photography can be elevated to a new height. Lenses are important especially when you settle on a medium you will train in. Most photographers choose one area of photography to specialize in. There are many types of lenses, the standard 35- 80mm, telephoto, and panoramic lenses.

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Most cameras have a 35- 80 mm lens, even the point and shoot type. Often when you purchase a camera casing they will sell you the standard lens with it. All lenses are interchangeable. You do have to stick with the same brand of lenses as your camera and make sure the diameter is the same. The diameter of most lenses is the same as long as you keep to the same brand. The 35- 80 mm lens tells you the extent of reach. While you can take photographs several miles away with a standard lens you will not have the distinction of features in the print that you need. The standard lens is great for close up shots, such as flowers, spider webs, people, and pets. To gain more defined picture miles away you need a larger lens.




There are many telephoto lenses in photography. One is the 75- 300 mm lens. While this is not as massive as other telephoto lenses you may see a professional walking around with it is a great step up for mountain and wildlife photography when your quarry is some distance away. When you begin to move from the 35mm into something larger it is best to have a stabilizer with the lens. A stabilizer will help you hold the camera steady for clear shots even if your hand moves a little bit. When you move into the world of the telephoto lens you can by accessories to help with angles and light.




Photography in the world of panorama is another way to take spectacular landscape photos. The panoramic lens allows you to widen the photograph, especially with a digital camera. If there is a mountain range or glacier that you wish to get the whole picture without pasting them together in Photoshop the panoramic lens is the best way to go. I’m sure you have seen landscapes with a panoramic view and wished you could have that option. Even with film cameras you could have a panoramic lens to widen the photograph.




All three lenses are just the icebergs on the use of lenses in photography. Whether you are an amateur photographer or a budding professional you will want to maximize your photo taking skills. The next equipment you may want to purchase to help you with the larger lenses would be a tripod to stabilize the camera even more. Tripods are pretty simple and lightweight pieces of equipment and work great for portrait photography. All mediums in photography require moderate to top of the line camera equipment to produce a photograph with quality. Photography also relies on the photographer’s skill and eye. Lenses are just a small part of the photography world when you start to study the art. If you have any questions on lenses the best places to find answers are your local photography shop.

Videography Tips from the Pros

Making videos or “videography” is a different animal from photography. When you are trying to capture great pictures for a portrait or an event, you think in terms of still shots. In your mind the objective is “what will make a great picture.”

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Video opens up whole scenes to be captured on film, for better and for worse. But it also opens up a lot of opportunity for mistakes, unexpected results or interruptions and surprises. Not only do you have to continue to think about what makes a great shot, you now have sound and movement issues to factor in. So while videography is much more fun, it also can be a lot more work.




You are trying to find a middle ground when you start offering video as part of your services. You know that anybody can bring a camcorder and capture video streams. These days they can even do it with their phone. But you want to create a more professional shot than the high school kid with a camcorder. Then again, you are not trying to win an academy award here. So the level of professionalism has to be better than amateur so you can justify charging for it but it doesn’t have to be great art to be a good video that the customer will be happy with.




To accomplish this mix of perfectionism and compromise, a few tips from the pros who have already set up a video business can help a lot. Here are what many of the old pros tell us to focus on especially as we are getting our video business up and running…




The cornerstone advice that the pros give about making great video is plan ahead. The more you know about your shoot, the better equipped you are when you show up. If you are shooting a wedding, visit the chapel, perhaps the reception hall and plan where you will set up to capture the best images. Plan your routes as you move around so you can create a smooth flow that works with the wedding procession rather than interrupts it.




The same is true of any event. Even a sporting event, as spontaneous as that is, will offer some less traveled areas where you can position yourself to catch the action. If the best location for capturing video is above or a distance from the activity, then you know you will need to use zoom and focus differently than if you can be in the middle of the action. This helps you plan how to prepare your equipment and your crew who will be supporting the shoot.




Lighting is something that must be part of your preplanning so you have sufficient light so the action and facial reactions are easy to pick out on the video. Outdoors, keep the sun behind you if at all possible. Indoors, scout out how the existing lighting will look on video during the hours that you will be shooting. If they are not sufficient, you should get in there and set your lights in place well in advance of the event and work with the event organizers so they know your lights will be on during the event. The people who hired you want a great video so they will work with you. But you have to let them know what is going on.




A good video is a combination of stability of the camera and constant movement. So use a tripod to stabilize the shots when the video is being actively shot. But you have to be able to move the set up quickly to a new location. So make sure that your equipment is well maintained and that cameras, tripods and that all supplies are quickly accessible for field changes or repairs.




One of the most valuable insider tips is to shoot with the intention of editing. In that way, you will shoot more footage than you need, knowing you are going to edit it together later. You can go back and capture connecting video shots to smooth out the action and you don’t have to get upset if you get some bad footage. These and many other talents you will develop will take you to that level of professionalism you want to reach. And your customers will notice it too and come back for more of your talented videography.

The Use Of Filters In Photography

Filters have two different meanings depending on how long you have had photography as a hobby. Most of us today think as filters as an option with Photoshop. This is not the case. Before the invention of computers and things like Photoshop we had small glass discs to create the filtered affect. There are many options with filters you can blur a picture, sharpen the picture, and even block out the UV rays. Filters are often used to correct a problem or make a picture look a little different.

 Improve your "regular" photography skills and take better photos immediately...
Because of the practical shortcut secrets you're about to find out, you'll quickly be able to skip the "amateur photographer" stage that usually takes years to get past... and you'll be a much better photographer from the very next time you take a shot




Lets talk about filters that blur a photograph. When you are taking a picture of a waterfall at the bottom where the water rises in a cloud you can add a filter to create the cloud in the picture. Cameras don’t always see what the eye sees. In some cases it can have a high resolution to depict the actual water drops rather than the cloud, so adding a filter to your lens can help create the effect your eye sees.


Other filters such as the UV protector guard against the harsh rays. Along with the UV filter you should have a polarizer. The polarizer is used in photography when you are taking a shot into direct sunlight or other light. It will help balance out the photograph so that you don’t get the washed out look. Other filters can give you the washed out effect if you feel your photography would speak more. The filters in Photoshop are not as wide as the filters you can actually buy for your camera, but they can have some of the same effects that you are after.




Have you ever wanted to create a star effect when taking pictures of light filtering through the trees? You can create a star effect with any photograph by using a star effect filter. This filter allows light to pass through a series of thin lines etched into the filter letting the light streak outward in a star shape.




Some filters actually help you create a depth of field or focal point. The fog/ mist filter is one of these. The fog/ mist filter allows for a glow or flare of light in the photograph. Photography is filled with much skill and equipment. Having filters to help create the perfect professional photograph will enhance your fun with your hobby. Lets look at a few more filters.




There are color correcting lenses. If the sky is too blue for the photograph you can choose a filter that will tamp down the blue to a less bright state. If you are into underwater photography you might have filters that allow for the underwater colors. The color spectrum does not have a great range under water. A lot of things will look red even though they are not. It is easy to bring about the original color of underwater life when you use special filters for color correction.




The use of filters in photography not only allows you to have special effects in a photograph to create something new and different, but it can help enhance the shot by adding color or dampening the natural effects of light. Photography has many types of equipment that require skill and knowledge making it a wonderful hobby or profession. If you need a hobby, photography allows you to be creative.

Tips For Photographing Your Cat

Every cat is proud of his or her friendly feline. Cats make perfect subjects in which to photograph. You can catch your cat and a variety of interesting and fun poses when you know how to take pictures of your cat. If you are interested in photographing your cat, here are some tips to help you get the best shots.

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Because of the practical shortcut secrets you're about to find out, you'll quickly be able to skip the "amateur photographer" stage that usually takes years to get past... and you'll be a much better photographer from the very next time you take a shot






Catch your Cat Napping


Nothing looks quite as relaxing as a cat taking a nap. Cats do sleep a lot, so if you take a picture of your cat napping, you have plenty of opportunity. The best time to take a picture of your cat is to catch it when it is asleep. You can take close-ups of your cat either as it sleeps, or gently wake your cat up for a relaxed look. For a nice shot of your cat, try gently rubbing your cat’s belly right when you want to snap a picture. This will encourage your cat to roll over on its back.




Natural Sunlight


When you think of a sleeping cat, where do most cats enjoy sleeping? You can usually find a cat napping in the sun. If you have a window that gets full or filtered sunlight during the day, then try to open the curtains or blinds to encourage cap napping. As soon as you see your cat sit in the sun, try to take a few pictures. When the sunlight is good, try a few shots without using your flash. This will give your picture a nice natural glowing effect. In addition, natural light often works best anyway because if you use a bright flash, your cat will usually close his or her eyes or the eyes could end up looking red.




Forget Posing and Planning


Cats are much for posing. You cannot really ask that a cat stay and sit. When you take pictures of your cat, you should always have your camera on hand for candid shots. Look at your cat during the day and determine your cat’s schedule and favorite places. Work around your cat and you will get better pictures. Try to be spontaneous, and above all stay patient. It may take several tries to get a couple of great shots, but posing your cat rarely works.




I have tried to get my three cats to pose and let me take a picture, but even though they sleep together, play together, they cannot stand or in this sit next to each without someone starting something. If I had three people to help and set back out of the picture, it might work. As you can see, cat’s needs to do what cats do and take your pictures that way.




Get Help


Another good tip for taking pictures of your cat is to get help. You can get great pictures of playful cats and kittens by having someone help you wiggle a string, the throw a ball or call the cat’s name. It is very difficult to try to play with your cat and take pictures at the same time. Your pictures will turn out much better if you get someone to help you. In addition, if you are trying to get a picture of your cat looking directly at your camera, have someone stand above you can call the cat's name, or make a noise that will prompt the cat to look directly above your head.




If you are a patient and willing, you can get some excellent shots of your cat. Cats are so fun to take pictures of because you never know what they will do. Keep your camera handy and ready to go as soon as your cat springs into action. Cat’s normal activity seems to make us smile and laugh, their antics always may wonderful pictures. Pictures of kittens playing from birth on also make for some great pictures. If you have the camera, you will never miss the perfect picture.

Taking Great Shots Of Your Baby

Your baby is very cute, and nothing makes a parent prouder than sharing pictures of their new child. Everybody loves looking at pictures of babies, too. If you have a little one in the house, get your camera ready and start sharing those cute baby pictures today. The more pictures you have the more fun you will have showing your precious pictures. Here are some great ideas to help you take better shots of your baby.


 Improve your "regular" photography skills and take better photos immediately...
Because of the practical shortcut secrets you're about to find out, you'll quickly be able to skip the "amateur photographer" stage that usually takes years to get past... and you'll be a much better photographer from the very next time you take a shot


Stay Ready


You can never know when your baby will do something entertaining or do something for the first time. For that reason, you always need to have your camera nearby and ready to go. That means making sure you have plenty of film if you use a film camera and making sure your have enough room on your memory stick or card if you use digital. You will also want to make sure that you have enough battery life in your camera at all times. Many parents use more than one camera, too. You can even put a disposable camera in the car or diaper bag for times that are just too cute to pass up.




Get Candid Shots


Some of the sweetest pictures of babies are candid shots. You can take memorable pictures of your baby taking a bottle, sleeping and smiling. Candid shots look much more relaxed and natural than posed shots and you will only feel frustrated trying to be posed shots anyway. Babies are notorious for not cooperating for posed pictures. Do not waste your time and take candid shots instead. Do not forget all to take pictures of every part of your baby, such as those fat little fingers or those tiny toes. Those are always sweet reminders of this young age. If you have a good zoom lens, you can often take great candid shots of your baby from a distance. These are great because your baby will never even know you are there.




Take Pictures in Black and White


You cannot get very many adorable pictures of your baby taken in black and white or in sepia tones. You can guarantee that grandma and grandpa will be gushing over those, too. Most digital cameras come with black and white and sepia settings, so take advantage. In addition, when you take black and white, you do not have to worry about what your baby is wearing, because everything looks good. The more natural the pictures the more fun you will have looking at them in the future. Kids caught doing what they do best is always a showstopper. They offer hours of enjoyment and catching all the excitement counts.




Take Many Shots


You should take many shots of your baby doing the same thing. You may take twenty-five of your babies crawling of the first time, but may only get two or three that are worth using. The more pictures you take, the more you have to choose from the better. It is always best to take more than not enough. A professional as well as armatures know, that not all pictures turn out, especially if you use a high-speed camera. Just keep taking pictures to ensure you capture the moment.




Do Something with Those Pictures


The last tip is to make sure you actually do something with your pictures after you take them. So many people leave undeveloped rolls of film sitting around for months or never print their digital pictures. Babies grow and change too fast. You should make it a point to print and share your pictures every week. In addition, if you use digital pictures, you should always make sure you back up your pictures onto a disk on a regular basis. You certainly do not want to lose these irreplaceable photos. This has happen too many successful photographers and does cause quite a commotion when you lose all your precious moments that you never again will see.

Wedding Pictures with Style

Your wedding album will be one of the most precious memories of this big day that you will have. But have you ever noticed how so many of those “professional” pictures are all the same from wedding album to wedding album? In fact, one thing that jumps out about the wedding photographer is that for a little while on the wedding day, everything halts and it’s all about him.

 Improve your "regular" photography skills and take better photos immediately...
Because of the practical shortcut secrets you're about to find out, you'll quickly be able to skip the "amateur photographer" stage that usually takes years to get past... and you'll be a much better photographer from the very next time you take a shot





You know the drill. The ceremony is exciting and fun and full of joy, some tears and plenty of meaning as the bride and groom kiss and become one family. Then it’s all over and everybody files out to go to the reception to dance, have cake and celebrate this union. But wait, the whole proceeding has to grind to a halt while the photographer stages the wedding party for as long as an hour or more to “recreate” the ceremony and make those perfect wedding photos. Meanwhile the reception may be getting underway and many of the guests that the bride or the groom or others in the family want to hug and share the joy with may have to go because they just can’t wait out a fussy photographer.


Somehow this complete disruption to the day has become accepted as just part of what the wedding day is all about. And the worst part about it is that the photographs, while nice and well staged, look like a bunch of mannequins being arranged for a store window. The joy and fun of the ceremony is over. For decades to come everybody will say they are beautiful and meaningful but if you look closely the wedding party looks nervous, uncomfortable, bored and like they wish they were somewhere else.




Well maybe its time to throw that tradition out and put some creativity into how the wedding photos and the wedding photographer works in your wedding. By finding a photographer who will put together some wedding pictures that have some style, some creativity and some sense of inventiveness, you will have that wedding album that really is full of memories worth remembering.




To get that kind of photographer, you are going to have to start early. You have to find that maverick photographer that “gets it” that the wedding is about the people, not the gowns and the hall and that his photographs must shout out “this was a wonderful day and we celebrated this union.”




You may have to look outside of the conventional “wedding photographers” listing in the phone book. An artistic photographer may be more appropriate. But be patient and find one that is just as professional as any photographer in that yellow pages but can bring some creativity and investment of getting to know this wedding party to the job of taking your important wedding pictures.




That wedding photographer should become as much a part of the wedding party as the groomsmen. After all, if he is going to capture the personality of this couple, he will have to get to know you. Spend some informal time with him and share those fun memories of when you met, those special times while you dated and certainly those very special places where important moments in your relationship took place.




Armed with that kind of creative individual in charge of your wedding photographs, you will look forward with great anticipation to what he comes up with. Many of the best shots will be created before the wedding, at some of those special places and he can Photoshop them to blend them with wedding day moments.




Above all that wedding photographer will understand that he is there to serve this wedding and capture those special moments as they occur. Sure, you may “pose” for a picture from time to time but this whole business of bringing the wedding day to a grinding halt to take stilted pictures of bored wedding party members will go out with the trash. The outcome will be wedding pictures with style, with life and a lot of love in them to reflect the love that was exchanged in those vows and the love of family and friends as they enjoyed this magical day with you.

Where to Go to Learn From the Photography Masters

Whether you are looking for the right path for your budding student photographer in your family or looking on how to jump-start your own photography career, the right school can make all the difference. There is no question that photography is an outstanding career path with many different directions that someone skilled with a camera might go.

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The diversity of careers in photography is truly amazing. From the base talent in photography and a solid understanding of new and emerging technologies, the sky is the limit for a talented photographer with a solid education under his or her belt. That is because photography is both an art form and a solid technical skill. So the same school might produce an award-winning artist, a successful wedding photographer, a fashion photographer, a police investigator taking pictures of crime scenes, or a crack newspaper photographer.




So the question emerges as to what kind of photography school to pick for yourself or the student in your family that wants the best education possible. How you pick any school is very much influenced by both how you approach education in general and what your objectives are.




Some would advocate that you look to get into the finest artistic photography schools in the country. If you wish to go down that path, then for sure the Brooks Institute of photography or one of the elite east coast schools of artistic photography is a noble ambition. But there are three drawbacks to trying to attend such schools. First is, of course, the potential cost. Any elite school is going to charge elite prices. And if you are like most of us, you want to get the most education for your money. So doing some caparison shopping for a school is in order.




The second drawback is getting admitted. Most of the top-flight schools have waiting lists and tough entry requirements that may make that ambition more demanding than is necessary. But the most meaningful drawback is that these schools may not be the right choice for the career you or the photography student in your life may wish to pursue. So a good general set of guidelines on how to evaluate a wide variety of photography schools is in order. The guidelines might include…




. What kind of photography is right for the student? A program geared toward artistic photography that will result in pieces hanging in a modern art museum will have a very different approach than a program to train forensic photographers. Your student may not know right away what field they want to go into. If so, getting started at a generic school such as a photography emphasis at the local junior college may be the right choice until the career path becomes clearer.




. Is it a legitimate school? You want to avoid schools that are run from the internet or that you read about on the back of a matchbook. A legitimate school will produce a recognized degree that will be well respected in the industry and will help the student get jobs.




. What is available locally? Why go out of town or out of state if you have good local schools? Many state universities, junior colleges and local tech schools have find programs.




. How diverse and up to date is the program? Will your student get exposed to the newest of technology in the field of photography? Will they get trained in how to service many different types of photography assignments?




. How does the program’s job placement rating look? What percentage of graduates from this program get jobs? How well respected is this school by businesses who employ photographers?




These are solid evaluation criteria. And if you apply these standards to a couple dozen of the finest schools both locally and nationally, before long a short list of good schools will emerge. From there, some site visits and interviews with teachers and graduates will narrow things down. And you will be glad you “did your homework” to find the kind of photography school that will take you or the student in your life to the next level of success in their love of photography.

The Photography Safari

Taking your love of photography on the road is one of the really exciting assignments a photographer can get. Whether you are going out into nature to photograph a great sunrise, a phenomenal river or to capture some other wonder of nature or if you are going to an urban area to get photos that tell the story of a people, the safari nature of the trip is the same.

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Safari is a good name for such a trip because like that hunter going into the deep jungle to bag big game, you are going to the unknown to get that perfect photograph. Your preparations have to be expert. Your discipline on the road must be focused. But above all, your determination to get what you came for must be relentless as you hunt the prize you want to bag, not with a gun but with your camera.




One mistake to avoid is over packing for your adventure. It’s easy to do because you may have the urge to bring everything in your studio “just in case”. First of all, if you have every piece of photography equipment you own with you, the likelihood that something will get broken or stolen is pretty good. So you have to know how to strip down your travel gear to just what you have to have to get the job done.




But how do you know that if this experience is new to you? One way is to do a few “dry runs”. Just as you went out and did practice photographs when you were learning your craft, take one or two test trips to the next town. Do these without the pressure of a deadline or a deliverable that you have to complete. An overnighter to take pictures at the zoo in the nearest big city will surface what is needed and what is not. Then repeat the exercise to take photographs out in the country where you may have to backpack your equipment in. You will find out pretty fast what “stuff” is worth the extra weight and what needs to stay home.




Your photography safari is a business trip to you and you have a mission. But your mission is about more than just going somewhere to get a snapshot. Just as every picture has personality and soul, the more you become part of the environment where you are traveling, the better your “eye” will be to capture the perfect photo.




Yes, you must stay focused on the purpose of the trip and stay on schedule. But don’t forget to enjoy the trip. If you are going to take a picture of a natural wonder, like Mount Rushmore, for example, spending time visiting with others going to that sight or talking to locals may surface some locations and secrets about the site that other photographers would not get if they just came, snapped a photo and left. Use the “down time” to charm the other travelers and let them charm you. Not only will your picture be a hundred times better, you will have a lot more fun.




Finally, as you reach your destination, your preparations need to pay off and you need to let them pay off. Here is where focus and the eye on the prize is crucial. It is so easy, especially when traveling, to become obsessed with the equipment, with the set up and with your settings.




Do all of that before you leave, or in the hotel room the night before. On location, the session is about your subject, not your equipment. Your equipment is there to serve you. Don’t worry about it. Trust yourself that you did a good job getting ready. You have quality equipment and you have prepared the lenses, checked the batteries and done all the right things. It all will work when it needs to work.




Now you keep your eye on the prize. Your expert eyes are needed to judge the lighting, the angle and every aspect of the shot to determine if it tells the story that you know this photograph has to tell. Here is where the artist in you works beautifully with the photographer to produce a photo that you will genuinely be proud of. And if you obey your disciplines and get that shot, it will be a photography safari that comes home having “bagged the big one” to add to your trophy room for sure.

Techniques For Underwater Photography

Underwater photography brings the underwater world to the surface. Some wonder wheat swimming in the ocean is like, but the don’t wish to learn how to dive. Underwater photographers have taken it upon themselves to bring the underwater world to those who don’t wish to dive or never had the chance. While all photography is an art the underwater world needs special skills to bring the highest quality alive.

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Unlike wildlife photography the underwater world needs to be viewed up close. That is to say the marine life needs to be photographed closely. This is because of the water. The water refracts images often distorting them so the closer you are to your subject the less water you have between you an the subject. Underwater photography requires a great deal of patience. You subject may swim quickly by like the shark, whale or dolphin, or they may hide with in the coral popping out only when danger is not felt. Water holds particles, most usually living organisms called plankton because these particles often float by while you are trying to take a picture you can loose contrast and sharpness of the image.


Marine life uses the premise of hiding more than speed or survival of the fittest. This means you will often find your subject camouflaged rather than out in the open. You have to seek your subject with determination, without startling the subject. The underwater world demands respect. You don’t want to touch the living organisms and therefore you must learn to move with the current while trying to attain the perfect shot. A lot of marine life will die if you touch it, especially coral so having a hobby of underwater photography requires you to follow the rules, a code of ethics.




Underwater flash or more typically called a strobe can help you gain the light you need to take a perfect photo. It is essential to have a flash with an underwater camera. It will help you bring other colors rather than red and orange into the picture. The strobe only needs to be medium sized, any larger and it can hinder your photo taking experience.




Composition is also very important. You will follow the same rule you did in regular photography; however, you still need to have an upward angle on the subject. This goes back to the camouflage technique of most marine species. They tend to melt into their hideouts or in some cases; their bodies are designed to hide in the water when swimming like sharks. When you are trying to get a clear shot when the subject blends into the background can be difficult and creates a challenge.




When dealing with underwater photography as a hobby you will need to hone your photography skills on land first. Once you take great pictures on land you can move into the harder version of the underwater world, where some rules you’ve used no longer apply and attaining the best picture takes patience as well as skill. Underwater photography brings the marine life to the surface alleviating some of the unknown. If you find you are just starting to have an interest in underwater photography you will want to seek a professional underwater photography class to teach you some of the important techniques as well as practice.

Portrait And Photography

Do you just snap pictures of friends without a thought to how it my turn out? Portrait photography takes you a step up from people photography. It gives you elements to notice such as the angle you take the photograph, the lighting you will use, and the expression of emotion on a persons face. While you may be an amateur photographer deciding to take Christmas photos without the expense you will need to have some basic knowledge of techniques used by the professionals.

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First when taking a photograph of a person you need to study their face. The face is important to the angle you will shoot from. Though it is a cliché, it is true some people have a better side. This could be in relation to scarring or acne breakouts or even simpler. For instance my left eye is larger than my right by just a bit, and looking head on into the camera will cause a horrible portrait, however if the photographer comes from the right side and angles up a little the light and shadows will help even out the features while keeping the distinctions that make me who I am.


Portrait photography is about capturing the essence of the subject, the personality. The little nuances of a face add character to the portrait. You will want to loosen up your subjects. If you are becoming a professional portrait photographer you will want to learn about your subject as you are taking pictures or perhaps meet them before the session. If they are just your family then you should know what would get their personality captured on film.


Lighting is the next important step to portrait photography. A lot of photographers prefer natural light to artificial. Your subject will in part decide this for you. Remember you will use the light you have. Natural light will often require setting the aperture to compensate for the cameras lack of definition. In other words you need to create the contrast with the light and shadows for the effect you want. Often artificial light is harsh and not directed properly unless in a studio. Again you will need to use the manual settings on your camera to create the perfect portrait.


The background is also important when discussing light. In a studio a photographer will pick a background that will not wash your features out or your clothing. They want to have a distinction or contrast between you and the background. This is also important of home portrait photography. You will want a background that gives color to your subject rather than taking it away. Finding a nice spot with a tree to sit on and mountains in the background can be a great portrait, but you will want to make sure the background is not too busy to distract from the subject. Make the subject seem apart of the picture rather than outside of it.


The type of camera and film you use will also determine the quality of the photography. Once you combine techniques such as lighting, angles, and understanding your subject you will be able to create a near to professional if not professional portrait for your friends and family no matter the occasion. Just snapping a picture is possible, but it would be great to have a better portrait?

The “It Girl” and the “It Photographer”.

Fashion photography and becoming a model in this glamorous industry is the dream of many a beautiful young woman and more than one great looking guy as well. But because the allure of making it to the top level in the modeling world is so alluring, there is a lot of competition for those few top slots that produce the world’s “super models”.

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If you are just starting out, the challenge is how to pick the perfect photographer who can do a top-notch portfolio for you. You want a portfolio that cuts through the pack and gets your portfolio noticed by those elite agencies who can get you the big jobs modeling for fashion magazines and commercials. So what are the qualifications for such a photographer?




Your first consideration is location. If you live in Dallas, Denver, Los Angeles, Chicago of one of the other major metropolitan centers, there are elite photographers who already have the contacts they need to get your portfolio to the key decision makers in the business. If you don’t live in these cities, you have two ways to resolve the problem your “remote” location might cause.




The first one is to learn the ropes of the fashion industry so you know who the key players are. Then you can interview the photographers you do know to see if they are aware of the networking they need to do to get your portfolio noticed. This can be a tall order if you don’t have insider information but networking with models you may know who have “made it” to at ;least some success is a good start.




If there are no photographers in your area that understand the fashion industry to your satisfaction, you may have to travel to a major city to find the right photographer. But above all, don’t compromise your values on this. Just being well networked is not enough for a photographer to be qualified to handle your portfolio. There are some other critical tests for you to apply.




. The agency has to be legitimate. They don’t ask you to pay for the portfolio and they don’t advertise to get models. A good agency is making plenty of money selling their work and they can find good models without stooping to such measures.




. The photographer has to be well equipped and know his equipment. Interview him or her and discuss the effects you want to see achieved for your portfolio. They should be able to discuss with ease how they will achieve that effect and show you examples of how they have done so in the past.




. The photographer should have a good eye for color, lighting, framing and staging your shots. Look at other portfolios of theirs so you can see that they know how to get what you want from a shoot. Also, get references from other models who have worked with them. You want to be confidence that once the shoot gets underway, you are in top-notch hands.




Above all, you have to “click” with your photographer. Having your picture taken is a very personal event. These photo shoots may get long and difficult. Perfection is hard work. Listen to how the photographer talks about his work. The most important thing to come from these shots is personality. That is what is going to break you through the pack and get you noticed. If your photographer can get that from you, they can take you a long way toward your goals of success in the modeling world.

What is the Basics of Photography?

If you are a sports fan, you know what it means when a team goes into a “rebuilding year”. It is just when the owners or coaches decide its time to train new members and correct bad habits in others. And invariably, what team leadership says when they go into such a time is that they are going “back to basics.”

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Sometimes it’s good for us as photographers to go back to basics. And, of course, if you are just getting started in the world of photography and want to learn “the ropes”, the basics are a natural start. But you want the basics of what the professionals know about the craft of photography.


Anybody can take a picture. I attended a wedding reception where the wedding party left a disposable digital camera on each table at the reception for guests to snap photos. Before the evening was over, it was the children who were running around taking pictures of everything from the dirty dishes to their own underwear. These were not photographers and while those pictures will no doubt get a few chuckles, these are not the kind of professional pictures people want for their long-term memories.


Obviously, the cornerstone of the basics of photography is the camera. When you see a camera geek walking around with enough equipment on his neck to launch a space shuttle, you get the impression that cameras are phenomenally complex, more than mere mortals can grasp. But look at the professionals and you see them working with portable, relatively easy to operate cameras. That is because the basics of running a camera come down to aperture and shutter speed.


Now don’t get nervous about fancy terms. Aperture is just a term for how wide your camera lens is open to let in light. And shutter speed is just how long you let the light come in to affect the picture. For getting a shot of a fast moving event, you want a wide aperture to let in a lot of light but a short shutter speed so you capture the event quickly and close the window so the picture is caught before more light hurts the quality.


Photography is really all about light. You can and will get learn a lot about lenses and flash photography and other ways to turn the control over the lighting of a shot to you. So add to your core skills of photography a willingness to never stop learning. The better and more sophisticated you get in your ability to work with the equipment, the more you will learn and the more you will want to learn.


You can get a greater control over these basic controls of the camera such as aperture and shutter speed by learning how to switch from automatic settings to manual settings. The automatic settings of any camera are just there for the general public who are not interested in learning the basics. So they give you some basic settings like landscape, portrait and sports settings. By switching to manual, you can learn what settings work best in different situations.


And that takes us to the most important basic about becoming a great photographer and that is practice. Take some time with your equipment and play with it. Take it to situations and take photos with different aperture and shutter speed settings, in outdoor and indoor settings and different orientations to light. Don’t get upset when some shots don’t work. That’s part of the learning curve.


By learning by doing, you will build your confidence in your work and eventually become a great photographer. But don’t get cocky, there is always more to learn. And that is one of the fun things about photography, isn’t it?

What Is Stock Photography ?

Stock photography, groups of photographs that people take, grouped and licensed for selling purposes. Instead of taking new pictures every time they need pictures, many people use the stock photography method. People that work for magazines, as graphic artists, and advertising agencies sometimes use public pictures instead of hiring photographers for individual projects.

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Alternate names for stock photography is picture libraries, photo archives or image banks. Typically, in order to use these pictures, although publicly available, there is a small fee or a purchasing of usage rights that comes with a fee in order to use the pictures. Sometimes a membership purchase allows you to have access to a particular group of stock photography.


Saving time and money, stock photography is a great way to enhance newsletters, blogs, advertisements, company brochures and more. It is obviously less expensive than putting a full time photographer on staff and takes less time if you need images of something specific. Many times, it is as easy as using a search engine or checking an email.


Sometimes full rights and usage is available for purchase. Other times, full rights are limited. In those cases, photographers might be requiring that they receive a certain percentage of sales and or royalties of usage. Agencies usually hold the images on files and negotiate fees. With the technology and easy access that the internet provides, negotiations are quicker and easier.


The cost of using stock photos depends on how long the pictures will be used, what location the images will be used, if the original photographer wants royalties and how many people the photo will be distributed to or seen by. Prices for stock photography can be anywhere from one dollar to two hundred dollars.


There are several different pricing arrangements. Royalty free stock photography allows the buyer to use photographs multiple times in multiple ways. When you buy royalty free pictures, there is only a one-time charge for unlimited usage. When the images you purchase have a royalty free section, the agency is able to resell the image to others. If an image is rights managed, there is a negotiated price for each time that it is used.


Sometimes a buyer of stock photography might desire to have exclusive rights to the images. In that case, no one else will be able to use the pictures once exclusive rights have been purchased. It may cost thousands of dollars to purchase exclusive rights because agencies who handle the sales have to make sure that they are making a profitable sale. If a photograph would make more money staying in circulation, they would lose out selling exclusive rights.


Stock photographers sometimes work with agencies producing images for them alone. Different subjects and categories might need multiple varieties of images. Sometimes contributors work for multiple agencies selling their photographs for a fee. They work out arrangements for royalties or they sell their shots for full rights. This has proved to be a big business for photographers around the world.


Stock photography started in the early 1920s. It especially grew as its own specialty by the 1980s. Galleries hold hundreds, thousands and even millions of pictures available for purchase. Stock houses sprung up in many different places. By 2000, online stock photography became microstock photography, which we call photo archives online. Companies like istock photo and bigstock photo offer you the opportunity to purchase so many pictures and when you use them up you can add more credits for another fee. Photos that are distributed online are typically less expensive than those that are sold hard copy.


Websites like www.shutterpoint.com and www.fotolibra.com allow stock photographers to upload and sell their images. It is a great way to market pictures and earn money with photography. You can also purchase images at those websites as well. With all the stock photography sites available, one may find pictures you never even heard of before.

Catching The Animals By Surprise - Photos of Wildlife

Photography has been around for more than a century and our topics will never cease. There is portrait, landscape, wedding, and wildlife photography just to name a few. One of the most rewarding styles of photography centers on wildlife. It may take you several hours before finding the perfect picture and capturing it, but the reward is more than worth the wait.

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Wildlife photography is perhaps the most difficult in the profession. You have to have the time, inclination, and of course the camera. Most wildlife shots are captured using a telephoto lens because the animal will not walk near you. Every once in a while you will be able to capture the fox, elk, bear or other animal as it comes through the woods in your path, however most of the time they are yards away and elusive.



Wildlife photography doesn’t wait for you to happen a long and snap a photo. You need to immerse yourself in the site you choose your camera at the ready, and set for the light of the day. Most automatic cameras work great on the preset for those who are just learning to take wildlife photographs. Photography has always been about the moment and the best photographers can catch the moment with a speed and agility of the animal they are capturing.



Start with small subjects when you begin your foray into wildlife photography. Practice on your pet. Let them roam naturally and see if you can capture the wild and crazy moments on film without the photograph ending up blurry. All great photographers have studied and practiced. They also use more than one shot. Making sure your camera has a quick shutter speed will help you take more than one shot as your move with the animal. When you have the subject in your site you need to follow it while focusing and then quickly snap as many pictures as you can before they move out of site. This technique is known as panning. Rather than the subject coming to you, you follow the subject.



When you have mastered your pets you can begin to explore the outdoor world of wildlife photography. Some of your subjects will be standing still and this is another practice technique. Be aware of the lighting and placement while trying not to disturb the animal. It is most easy to get a squirrel when they are intent on eating or foraging for food. If you stay silent and walk carefully you can often get pretty close.



If you are choosing a larger subject such as a deer or bear you will want to stay far enough away to get the shot, and not draw attention to yourself. Bears are dangerous creatures, but they can be photographed if you use common sense and don’t tread upon their territory. Wildlife photography and thus the photographers have a code of ethics when attaining the perfect shots. You will want to follow these ethics for your safety and the animals.



Wildlife photography is a waiting game for the perfect picture to sprint across your viewfinder. It takes patience and a lot of practice, but the reward of having a family member or friend go, “ where did you get that photograph? I have got to have one,” will sweeten the deal.

Techniques Of Still Life Photography

There are many mediums to choose from in photography. Often a person will begin with still life photography and work their way towards portraits, wildlife, or landscapes depending upon their interests. Still life photography teaches a person to use light and shadows to find the emotion of the object. Here I will discuss many different aspects of still life pictures.

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Still life expresses the photographers self while using in animate objects such as pottery, flowers, candles, leaves, and fruit. The first step in still life photography is the lighting. You will want the object to have light from a single direction, so that you can cast shadows as well as light on the object. This will give it a depth of field, and dimension. You will need to choose whether you want a soft or harsh light. The more harsh the light the more shadow you will have. Often in still life reflectors are used to tone the light down. The best type of lighting for still life photography is side- lighting because you will attain more contrast between the object.


With still life photography, you have color control. You can choose the colors of the objects you use. When choosing the colors say with leaves and fruits you will want a contrast in colors, but retain a natural look. Harmony is the best word to use when attaining color control. The color will attract the viewer’s eye, so if it is displeasing to you the chances are your viewers will find it just as displeasing.


With still life, you can choose an abstract motif. You may choose to put two objects together that do not make sense, but create a moving picture. You might have an interesting cut on fruit, such as a melon to reveal the inside core. The angle of the cut and the meaning of the picture will require thought from the viewer. Some viewers see different from what another viewer might see. This happens in the art world daily. What one thinks represents art another finds unappealing. Never let these influence your dreams and stop you from becoming even better in your work as a photographer.


You can also have control of variations. You can use the same subject repeatedly with different backgrounds, arrangements, and other objects. The key is to avoid clutter while creating contrast. The rule of thirds of composition is a great way to utilize still life objects. You can create a pattern based on the rule of thirds. Setting up the arrangements and trying several shots will lead you to finding the harmony between the objects.


You may think still life photography lacks the depth of other mediums; however, it can be used as a stepping-stone to greater photography. Still life can include an arranged garden to please the eye or a natural look. You can use natural light to offset the shadows and find the contrast. Still life inside or outside creating the arrangements is just one way to find pictures you will wish to display or give to friends. Remember lighting, color, and variations on arrangements will provide you will tons of subjects.


Applications for still life photography can include taking photographs for magazines. Often magazines have still life photos to show flower arrangements or decorating ideas for the home. With the many choices in photography, still life takes a special eye for arranging objects and understanding lighting techniques. With all of photography being art you need to pick the subjects that will speak most to you and make them speak to others. These types of pictures go well when deciding to sell your photos or display them for the public. All pictures whether you think it or not may be just what someone wants to display and may offer to buy it. This helps you start a real goldmine of a business if you feel confident with your work.

Stock Photography Business

Sometimes we associate stock photography with some negative concepts such as the photos you see in frames that are on sale at a department store or the photo that comes in a new wallet. Sure, those images did come from a stock photography library but there is so much more to stock photography than that.

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Because of the practical shortcut secrets you're about to find out, you'll quickly be able to skip the "amateur photographer" stage that usually takes years to get past... and you'll be a much better photographer from the very next time you take a shot


You can put a lot of creative energy into building a solid stock photography library that will draw customers who need these images and like your creative eye. Really, if you think about it, stock photography is no different from doing a shoot for a customer. It’s just that you are taking the photos in advance of finding the customer and you can sell the same stock photo a multitude of times. And that last part is what makes running a stock photography service a lucrative business to operate.


The demand for stock photography is ongoing and increasing. But in the economic “model” of any marketplace, supply is as important as demand. So to compete for business you need a good, diverse supply. That means your first step in building your stock photography business is to build the “stock”. In this situation, quantity counts.


When you start entertaining customers, you want to be able to show them a strong catalog not only of many genres of stock photos but of a good variety of photos for each genre. So if the buyer is looking for floral shots, you don’t just have three or four stock photos in that category. You should have dozens for them to pick from. By building a large collection, you vastly increase your chances of making a sale with each customer you entertain.


Don’t think that taking stock photos takes the creativity out of the process. In fact, the opposite is true. Really great stock photography screams personality, even if it’s just an assortment of floral scenes you are taking. The buyer is looking for a photo that seems to have a story to it, that draws the eye and makes the viewer want to ponder the meaning of that photo.


Sounds a bit like art photography, doesn’t it? Well, in a way, it is. Just because you are selling the photo as part of your stock collection, doesn’t lower the artistic value of what you are doing. And if your art is going out the door to be used by a customer, it is still being seen by people who will reflect on what you are trying to say with that photo. So to you, the photographer, your artistic calling is satisfied and you have a nice chuck of change in your pocket to boot.


Along with building a strong portfolio of quality pictures of each category, make your categories as diverse as possible. View other stock collections and gather ideas for the genres they have represented and of the diversity of shots and settings they have included in their collection. You are not plagiarizing other photographers work if you are letting them inspire you to do your best work.


A good discipline to build your stock photography gallery is to take a day each week and go out and build one category of stock photos all day long. So you may do floral shots all day one week, photos of automobiles the next and pictures of college students the next.


Now don’t forget to get your releases signed if you use human subjects. Even if you just hang out on a college campus and talk students into posing for stock photos. Be sure you pay them something for their work and get a release. In that way if their picture ends up in some very public setting because of how a customer uses it, you are protected from them coming back with their palm up wanting more.


Finally, trust your instincts on what to include in your gallery. Your artistic “eye” for what you like is probably pretty reliable and will reflect what interests your customers. Once the gallery is built, then you can go about the “business” of putting together a physical catalog to sell from. And don’t forget the option of building an online gallery to sell from. You will need some technical help to get your site up and learning how to sell from it and collect money that way. But this can be a great expansion of your successful and growing stock photography business.